It’s been a good while since we’ve had a new art interview, but I’m pleased to report that Wayne Barlowe has kindly pitched in. While Wanye has not been especially productive in this line of art, he has made some major contributions and his work has turned up in plenty of dinosaur books over the years. As per usual all images are on loan here and should not be reproduced without his permission etc.
How long have you been an artist?
I’ve been working professionally since 1977. Spent two years at Cooper Union and began to get called to do science fiction illustration for magazines and paperbacks. In the mid ’90’s I embarked upon a pleasant, albeit short-lived sojourn into the world of paleo art.
How long have you been producing palaeoart?
Well, the truth is, I haven’t actually done any paleo art in some time. When I was doing nothing but, I probably spent a total of 4 – 5 years immersed in that world. During that time, along with doing a few paintings for myself, I rendered the color paintings for THE HORNED DINOSAURS and AN ALPHABET OF DINOSAURS both authored by Dr. Peter Dodson – somewhere in the neighborhood of forty or so paintings.
What first got you interested in dinosaurs and art?
I had a deep and abiding interest in paleo art and paleontology, in general, since I was a child. My parents, both nature artists, had the full set of Augusta/Burian volumes and those acted as perfect catalysts for my young imagination. They actually served as something of an inspiration for my SF nature book, EXPEDITION.
What is your favourite piece of palaeo art that you have produced?
I am generally hyper-critical of my own work. With that said, a few of the paleo pieces still work for me. I’d probably point to JURASSIC SIESTA – a pair of satiated ceratosaurs – as my favorite.
Who is your favourite palaeoartist or piece of palaeoart?
While I happily admire many of the pieces I see being produced today, I’d have to say that Zdenek Burian’s approach has never really been beaten. He was a painter first and a paleo man second. For me, his dinosaur and early mammal paintings are Art. The brushwork, the atmosphere, the composition all bespeak an Old World tradition and sensibility. There is much to learn and admire in those works, despite the advances in understanding of the Mesozoic world. For nostalgia reasons, his classic T-rex and hadrosaur painting has to be my favorite.
What is your favourite dinosaur / archosaur?
I’ll always have a soft spot for ceratosaurs. So baroque and interesting.
Is there any animal you would like to paint but have not?
Given my short tenure in the paleo art world, the list is way too long. Apart from some the newly found feathered dinosaurs, I love flying reptiles – the whole idea is really too fantastic – and would eventually like to do a serious painting of one of them. I’m a big WW1 airplane buff, so these two interests might dovetail and find some expression in a pterosaur painting.
What do you think is the most important part of good palaeoart?
Integrity. Integrity towards the composition, towards the world being depicted, towards the spirit of the creature being shown.