A little more on making Fedexia

Back at the end of last year, buried in the huge mass of posts based on my superb trip to the Carnegie in Pittsburgh, I covered this lovely little display about the creation of palaeoart, based on an animal named Fedexia. The artist responsible, Mark Klingler, was kind enough, not only to supply me with the means to get hold of his DIY Quetzalcoatlus, but also provided me with some of his files on his reconstruction to show the process rather more clearly. My thanks to him for these.


Key to the above collection:
A 1–3. Fossil skull: Dorsal View, Diagram, Lateral view

B. Reconstructed skeleton as it may have looked

C 1–11. Reconstruction process to create the look of Fedexia
C1. original pencil drawing with #2 mechanical pencil on Bristol board
C2. color overlay with color pencil on vellum
C3. scanned in pencil, contrasted in Photoshop
C4. overlay C3 over C2 in Photoshop
C5. scanned in pattern outline, original in pen & ink on vellum, and filled pattern dots in Photoshop
C6. knocked out areas outside pattern dots
C7. addition of purple form midtones
C8. addition of sky blue highlights on bumps of skin
C9. shadow overlay added to Fedexia
C10. highlight overlay added to Fedexia, later lightened in transparency
C11. final Fedexia striegeli reconstruction

D 1–6. Reconstructed environment for Fedexia; 2H pencil, mechanical pencil on vellum
D1. Thumbnail sketch layout
D2. Place Fedexia in for size
D3. Final pencil Pennsylvanian time period, some 300 m.y.a., plants include:
• Calamites carinatus (after Hirmer 1927)
• Psaronius (tree ferns from Stidd 1971)
• Fallen lepidodendron trunks
• Walchia (conifer, after Moret)
• Asterophillites equisetiformis
D4. Color overlay, color pencil on vellum
D5. Assembled pencil background contrasted in Photoshop with Fedexia reconstruction
D6. Assembled colored background with Fedexia reconstruction

2 Responses to “A little more on making Fedexia”


  1. 1 Robert A. Sloan 20/03/2012 at 6:17 pm

    Thank you for posting this excellent lesson. I love the poster. If the artist has that available as a poster I’ll be tempted to buy it someday and hang it in my studio area. The “C” experiments with textures and color are inspiring!

  2. 2 Mark Robinson 21/03/2012 at 2:25 am

    Excellent stuff, thanks for sharing Mark and Dave. It’s really great to see when an artist has taken the time and trouble to recreate the palaeoenvironment as accurately as possible rather than just sticking in some generic ferns and a couple of horsetails. A sterling effort.


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